The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

Brandon

Shu Lea Cheang’s BRANDON from 1998-99 is a recently conserved interactive journey that both reconstitutes and speculates upon an ‘all American’ road trip and is inspired by the tragic true story of

No fun

In "No Fun" Franco Mattes simulated his suicide in a public webcam-based chat room. Thousands of random people watched while he was hanging from the ceiling, swinging slowly, for hours.

Please Change Belief

"Please Change Belief" is a project built for the World Wide Web which consists of several sections (be prepared to explore a bit to figure out how it works and how to navigate the site).

ASDFG

"An experimental website, using randomly generated ASCII art and Javascript.

Ghost City

Ghost City is a website that was begun in 1997. It is a virtual city that has become an archive of changing web technologies.

Le Nu / The Nude

The naked body as artistic subject. The French site incident.net presents a series of artistic examinations of the body in a digital context.

Market-o-matic

Tired of racking your brain trying to squeeze out yet another artist's statement extolling the unique virtues of your latest net.art joint?

ascii history of net-art

#0 Works and experiments with moving ASCII , ASCII audio, ASCII camera and such, are all directed towards conversions of contents between one media platform and an other, every time carefully direc

Breitbart Blue

Comfort culture is back and we’ve got the hoodies to prove it. The intention is to support young men constructing their identity.

Mazecorp

Mazecorp \Since 1999, the work titled "Mazecorps" is reflecting a maze-like construction which refers to the possible relationships between cinema, poestry, and networking.